I'm not saying there's anything fundamentally wrong with a fanny pack. It seems very practical. It's a backpack for your butt (provided you are not using the British meaning of the word fanny). However, practicality aside, I just don't see a fanny pack as a major bonus to anything, especially if you happen to be a fan, of say, Kesha. Excuse me, I mean Ke$ha. Apparently the marketing geniuses behind Ke$ha's new VIP tour disagree, and they think it's exciting enough to help entice you into paying extra to be a Ke$ha "VIP" on her new tour, as evidenced by the actual promotional email ticketmaster sent out.

Interestingly, they note that this is a "new design!" as if people weren't sufficiently excited about the old design, but of course, the concept itself wasn't the problem....

SCENE: Ke$ha Marketing Headquarters. Team Meeting.

Ke$ha Marketing Analyst: "People aren't really excited about this whole fanny pack, thing. We're getting only a 7.8 percent response rate and that's all negative."

Ke$ha Marketing Intern: "I have to agree. People are making fun of it on the blogs and talking about how disappointing it is."

Ke$ha Marketing Director: "I guess we should redesign the fanny packs, then."

Ke$ha Marketing Analyst: "That's not really what I meant--"

Ke$ha Marketing Director: "Okay folks, that's a wrap. Any other business?"

On Friday, I received a mysterious email invite to the "Lost Horizon Night Market". I would have to sign up to find out, on the day of, where it would take place, and, while I could invite friends, I was not to publish the event on social networking sites, news outlets or blogs. As I soon found out, Lost Horizon was more of a carnival for hipsters than a market. Unmarked trucks, each with a unique theme, lined the streets of what turned out to be an industrial section of Greenpoint Brooklyn.

 Moma's PS1 currently has a display on view called "Pole Dance" which is the work of the architectural firm Solid Objectives, winner of the eleventh annual MoMA/MoMA PS1Young Architects Program. The project is an interactive environment of sand and pebbles along with, among other things, poles that hold up a netting which is used for holding yoga balls. While it was hard for me to see how this work addressed the program's current goal of "focus[ing] on designs which address sustainability, recycling, and reuse", it was kinda neat. I can't say I really appreciated the sound design, which was a bit shrill and distorted and therefore rather unpleasant despite not being terribly loud. Had it not felt like an afterthought I might have given it a break, but considering it was nothing more than a sensor on each pole triggering independent sounds, those sounds should have at least been pleasant and playful, like the rest of the exhibit.

What really took the day, though, was having the chance to see Kyra Johannesen and some of her other pole dancing super stars actually perform a dance routine on the poles. Sadly that was not part of the regular exhibit, and just a one-time thing, but I managed to snap a few photos.

Click images to enlarge

Click image to print flyer (for discount admission)
or click here for full size and print that.

 We're excited about Femme Totale not just because one of our writers is involved *wink* but also because it's the first time we've heard of an event combining juggling, burlesque, pole dancing, and live music in what's sure to be a single night of insanity. These are some top-notch performers by any measure and we can't wait to see the show!

 Add to all that a drag queen host (something missing from far too many burlesque shows) an awesome DJ, and a great bar, and the ingredients are there. We just hope we can handle it when the clothes come off!

Arielle with her Electric Guitar
Photo by Rebecca Weiss Photography

        If you haven't had the pleasure of hearing Arielle perform in one of her numerous gigs throughout the Village club circuit, I can tell you first-hand you are missing out. Arielle is one of those rare breed of musicians who can draw you in without fancy synth beats, overwhelming noise, exotic instrumental backup, or gimmickry of any kind. When you listen to her play, regardless of venue, it feels as though you are being treated to an intimate performance in your living room. It is precisely this raw, vulnerable "just a girl and her guitar" quality that distinguishes Arielle from many of her acoustic folk/pop peers and keeps her fans coming back for more. Her voice, breathy and ethereal, is a stand-out, and her lyrics about inner conflict, love, and loss, are universally relateable.

       I recently contacted Arielle to discuss her music and her upcoming gig at Recoup Lounge in the Lower East Side on October 24th. I was given the scoop on everything from her musical inspirations to her thoughts on Kanye *cough*douche*cough* West.

  An excellent production and top notch cast helped draw attention to Wildflower, and its young, up and coming playwright Lila Rose Kaplan. Although a few reviews, including the New York Times, challenged or were uncomfortable with Kaplan's choice of ending, most, including variety and curtain up were charmed, as I was, by her characters and the tale of a mother and her unusual son who escaped from New York City to a small town known for its annual flower festival.

The cast of characters includes an ex-drag queen who becomes the family's emotional and literal source of nourishment, as both mentor and innkeeper who cooks; a hard-on-the-outside-but-soft-on-the-inside forest ranger; a misfit, bubbly teenage girl; a recently divorced, struggling mother; and her son who, while intelligent, clearly has more difficulty deciphering human relationships than your average teen. While this list certainly passes any east-village political correctness checklist, it's clear that they were not created with this purpose in mind: Kaplan weaves them together in a natural way that give the audience an opportunity to see what they all have in common, and the different paths they took to reach the same end. The beauty of these characters is their realness, even when most of them are completely out of place.

We recently spoke with Lila Rose to ask her a few questions about Wildflower and her upcoming projects...

It's tough knowing you made someone break his own rules, but some rules are just too stupid to be kept.

Interview with Burlesque Superstar Angie Pontani

Seattle residents don't miss Angie and Murry Hill with the legendary Dita von Teese, Tomorrow Night, Wednesday April 1st at 7pm at the Triple Door.

"This is Burlesque" Star Angie Pontani
Photo by Dale Haris

From the first brick laid at the saloon, women – straight, gay and miscellany – have expressed curiosity about what goes on in entertainment venues where other women get naked. But while strip clubs may host a sprinkling of adventurous female patrons, burlesque shows can claim at least half – if not a majority – of women in their audience.

It’s Saturday night and I’m seated at “This is Burlesque,” one of the hottest tickets in the New York burlesque circuit and hosted in the intimate, sensual environs of Soho’s Corio eatery. The energy is as raucous as you would expect even if the patrons are not what you imagined: immediately behind me a decked-out bachelorette party glitters like a Christmas tree, and on every side women cheer the performers on while their dates – mostly men – look on with more quiet appreciation.  On the line to the ladies’ after the show, a modestly dressed woman in her twenties confesses: “This is one of my favorite things to do on a date. It’s much more original than the dinner and a movie thing. Plus you get to see if the guy knows how to have fun.”

Ida Maria's debut album "Fortress Round My Heart" album sells in the UK with a little sticker that says, "missing link between The Strokes and Amy Winehouse." While this sort of think makes any potential fans of Ida Maria immediately ill -- especially the Winehouse reference -- Ida Maria and Amy do have one thing in common: they both wear their personal problems on their sleeves. Indeed, Ida Maria sings deeply personal songs about abusing alcohol, nicotine, caffeine and, to a lesser extent, her boyfriends. The difference is that Winehouse hates herself and everything that she touches, but Ida Maria is utterly comfortable in her own skin.