Actor dies in Burbank hospital, autopsy to determine cause

Robert Halderman says he tried to blackmail the late-night icon for $2 million

Academy says the actress was not included in the In Memoriam segment because she was a TV star

Conan's sidekick is unhappy with NBC over losing his "safe" job in show business

When the Rain Stops Falling is like getting caught in a spring shower: It’s refreshing at first, but you end up soggy and dispirited.

If you can’t move your face, can you still act with it?

Why NBC's marital spat spectacle is teaching couples all the wrong lessons about fighting

A superb and powerful revival of The Miracle Worker pulls none of its punches—emotional or physical.

Martin McDonagh’s thinnest play gets a creepy boost from Christopher Walken and Sam Rockwell.

The Academy Awards registers an impressive audience number

Dakota Fanning can’t quite save The Runaways. Plus, the frenetic attack of Green Zone.

Ryan McGinley wishes he could remake All That Jazz.

“Thank God I’m not singing ‘Send in the Clowns,’” she says.

Reality TV’s new crisis.

"I am no longer the same carefree person," says Emmanuelle Seigner

The Iraq war drama nabs five Academy Awards, including a historic best director win

We talk to the two filmmakers whose personal fight became one of the ceremony's weirdest moments

Slide show: Oscar's fashion winners and losers -- the tacky, the inspired and what we call the "Mullet Surprise"

The forty-five black-and-white photographs in Robert Adams’s current show at the Matthew Marks gallery, “Summer Nights, Walking,” are about the American landscape after dark, when serenity can turn to dread with the snap of a twig. Made between 1976 and 1982 in the . . .

The art world is peculiarly suited to dramatize a problem, or at least a syndrome, of the present day: that of abominable wealth, by which I mean the effect of huge fortunes on people who don’t have them. The global tide of prosperity that rose in the past . . .